Description
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.
The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer’s newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.
In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.
Specifications:
- Sound Engine Type(s) – Analog (2 x Oscillators, 1 x Sub Oscillator, 1 x Noise Generator)
- Number of Keys – 37
- Type of Keys – Semi-weighted, Aftertouch
- Other Controllers – Step Sequencer
- Polyphony – Monophonic/2 Note Paraphonic
- Number of Presets – 256 (16 Banks of 16)
- Effects Types – Multidrive
- Audio Inputs – 1 x 1/4″ TS (audio in)
- Audio Outputs – 1 x 1/4″ TS (audio out), 1 x 1/4″ TRS (headphones)
- USB – 1 x Type B
- MIDI I/O – In/Out/USB
- Features – High powered headphone out
- Power Supply – Standard IEC AC cable
- Height – 6.75″
- Width – 26.37″
- Depth – 14.75″
- Weight – 22 lbs.
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